Time love is the reason


The King Midget story reminds us what a middle-class nation the . was in the ’50s. Claud Dry and Dale Orcutt, of Athens, Ohio, buddies from the Civil Air Patrol, wanted to sell bare-boned utility car that anybody could afford, unlike that bloody elitist peacenik Henry Ford with his fancy Model T. King Midget’s cars made the Model T look like a Bugatti Royale. In the late 1940s, they began offering the single-seat Model I as a home-built, $500 kit, containing the frame, axles and sheetmetal patterns, so that the body panels could be fabricated by local tradesmen. Any single-cylinder engine would power it. The result was a truly crap-tastic little vehicle, the four-wheel equivalent to those Briggs-and-Stratton powered minibikes. Amazingly, Midget Motors continued to develop and sell mini-cars until the late 1960s. The crown jewel was the Model III, introduced in 1957, a little folded-steel crackerbox powered by a 9-hp motor. Government safety standards, at long last, put the King Midget out of our misery.

It is Locks of Love’s mission to promote the well-being of children through its program of providing hairpieces. All events and fundraisers held on behalf of Locks of Love should uphold and reflect the mission and desire to help disadvantaged children.

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We’re taught to find examples for the way we want our lives to wind up. But I can’t find anyone, really, who’s had the same career trajectory as mine. So when I’m in an optimistic place I hope that my life won’t match anyone else’s life trajectory, either, going forward. I do have female role models in the sense of actresses like Mariska Hargitay. I think she has a beautiful life, and an incredible career, and I think she’s built that for herself. She’s one of the highest paid actresses—actors in general, women or men—on television, and she’s been playing this very strong female character for, what, 15 years now, something like that. And Ina Garten, the Barefoot Contessa. I really love her business, and how she sticks to who she is, and how people relate to it. In other industries, I have female role models. I just struggle to find a woman in music who hasn’t been completely picked apart by the media, or scrutinized and criticized for aging, or criticized for fighting aging—it just seems to be much more difficult to be a woman in music and to grow older. I just really hope that I will choose to do it as gracefully as possible.


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